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#TILTSHIFT RAIN FOR FREE#
#TILTSHIFT RAIN HOW TO#
#TILTSHIFT RAIN MANUAL#
#TILTSHIFT RAIN ISO#

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#TILTSHIFT RAIN FOR FREE#

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We've been looking around for fall color and it's just not a lot, and when you see it, man you gotta jump to it, so we're gonna go do that now. I see some fall color deep in the forest. These are a couple of great things you can do with it. With a 24mm wide angle lens, we just created a panorama as simple as spinning a knob.

#TILTSHIFT RAIN HOW TO#

Now later, I'm gonna show you how to put those together. Again, I mark the end of that sequence with my hand, as well I did with the beginning, so that we can find those images very simple in Lightroom. That'll be my first image and that way when I bring the images in the Lightroom, I'll know exactly where it is. Now, what I'm gonna do is I'm gonna shift to the left, and I'm gonna take an image, and again, it's always helpful to mark your hand in front. I'm gonna polarize this scene because I don't have blue sky, I'm not worried about discoloration with the polarizer and because I've got the green wet foliage, I need to reduce the glare. Make sure you zoom in with live view to set your focus.

#TILTSHIFT RAIN MANUAL#

Now tilt shift lens, again remember, is manual focus.

#TILTSHIFT RAIN ISO#

Okay, so I've got my exposure, f11, two seconds, at ISO 400 and that will be consistent through all three images because I'm in manual mode. Because I need my exposure to be the same throughout, so I'm gonna go to manual mode and I'm gonna find my exposure for the brightest part of this image and once I've done that then I will make sure not to have any blown highlights throughout. Even though, we're not taking different frames, where you need to be in manual mode, let's say in a long lens panel, it's the same principles. Now, what we wanna do is be in manual mode. It's very easy in post-processing and I will definitely show you how. We are completely level and what I've done is I've shifted and I'm gonna show you here to the left, and back towards the right and I've looked at this entire range and I'm gonna be able to capture all of it with three images and then stitch them together. It is so simple, and I'm gonna demonstrate exactly how that works.

I just wanna be able to do it and the tilt shift lens gives me the freedom to knock out panos anywhere I am. I don't wanna bring the extra equipment and I want my life to be simple when it comes to achieving something like a pano with a wide angle lens. They're very, very technical and difficult. They involve getting a Nodal rail and very specific equipment. I give a great demonstration and a course on the Palouse, or they could be very difficult with a wide angle lens. Now panoramas can be pretty easy with the long lens. It's important to think outside the box, not just shoot 2 by 3, but think about panos and squares, verticals, horizontal panos.